92 bars of 4/4 at a walking 98 BPM, 3:44 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 20-27, 44-51 and 70, and 1 more place -- 34.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 10 times: bars 5, 19, 28, 43, 52, 57 and 4 more.
3 more fills are written out on the fills page.
92 bars across 9 sections: 71 keep time, 10 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 72-85.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
92 bars, about 3:44 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 5, 19, 28, 43, 52, 57 and 4 more.