101 bars of 4/4 at a walking 105 BPM, 3:51 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21-23, 25-26 and 45-47, and 7 more places -- 29.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 14 times: bars 24, 36, 48, 52, 59, 60 and 8 more.
6 more fills are written out on the fills page.
101 bars across 10 sections: 70 keep time, 14 are fills, 4 are stops and 10 are silent. The longest unbroken stretch of time is bars 1-19.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
101 bars, about 3:51 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 14 times: bars 24, 36, 48, 52, 59, 60 and 8 more.