97 bars of 4/4 at 130 BPM, about 2:49 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 19-23, 25 and 58-62, and 1 more place -- 13% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 46 times: bars 4, 6, 7, 8, 9, 10 and 40 more.
10 more fills are written out on the fills page.
97 bars across 11 sections: 29 keep time, 46 are fills, 9 are stops and 5 are silent. The longest unbroken stretch of time is bars 50-54.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
97 bars, about 2:49 at the written tempo. The course breaks it into 42 exercises over 11 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 46 times: bars 4, 6, 7, 8, 9, 10 and 40 more.