118 bars of 4/4 at a walking 100 BPM, 4:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 36-42, 44-45 and 54-60, and 4 more places -- 29.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13 fills to learn, played 18 times: bars 11, 15, 19, 27, 31, 35 and 12 more.
9 more fills are written out on the fills page.
118 bars across 16 sections: 77 keep time, 18 are fills, 8 are stops and 4 are silent. The longest unbroken stretch of time is bars 72-78.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
90 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
118 bars, about 4:41 at the written tempo. The course breaks it into 50 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 18 times: bars 11, 15, 19, 27, 31, 35 and 12 more.