95 bars of 4/4 at 127 BPM, about 2:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 7, 9 and 13, and 15 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 21 times: bars 10, 11, 12, 19, 20, 41 and 15 more.
8 more fills are written out on the fills page.
95 bars across 14 sections: 55 keep time, 21 are fills and 7 are silent. The longest unbroken stretch of time is bars 25-33.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
95 bars, about 2:59 at the written tempo. The course breaks it into 38 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 21 times: bars 10, 11, 12, 19, 20, 41 and 15 more.