120 bars of 4/4 at 110 BPM, about 4:21 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 20-26, 28-34 and 55-61, and 1 more place -- 24.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 19 times: bars 9, 18, 19, 27, 35, 39 and 13 more.
7 more fills are written out on the fills page.
120 bars across 10 sections: 81 keep time, 19 are fills, 3 are stops and 5 are silent. The longest unbroken stretch of time is bars 44-52.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
120 bars, about 4:21 at the written tempo. The course breaks it into 37 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 19 times: bars 9, 18, 19, 27, 35, 39 and 13 more.