105 bars, 5:50, at 72 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 6-7, 14 and 21, and 14 more places -- 32% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
15 fills to learn, played 32 times: bars 8, 12, 15, 16, 18, 19 and 26 more.
11 more fills are written out on the fills page.
105 bars across 8 sections: 62 keep time, 33 are fills and 2 are silent. The longest unbroken stretch of time is bars 27-33.
72 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
64 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 53 out of 100; the rest of the number is everything around it.
105 bars, about 5:50 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 32 times: bars 8, 12, 15, 16, 18, 19 and 26 more.