126 bars, 6:32, at 65 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 26-27, 30 and 38, and 3 more places -- 6.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 32 times: bars 17, 25, 29, 36, 37, 39 and 26 more.
9 more fills are written out on the fills page.
147 bars across 15 sections: 79 keep time, 33 are fills and 11 are stops. The longest unbroken stretch of time is bars 1-12.
65 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
82 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
126 bars, about 6:32 at the written tempo. The course breaks it into 61 exercises over 21 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 32 times: bars 17, 25, 29, 36, 37, 39 and 26 more.