169 bars, 9:49, at 68 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 3-4, 7 and 19-20, and 15 more places -- 23.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 32 times: bars 1, 5, 17, 21, 33, 37 and 26 more.
15 more fills are written out on the fills page.
169 bars across 14 sections: 89 keep time, 32 are fills, 6 are stops and 36 are silent. The longest unbroken stretch of time is bars 78-97.
68 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
70 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 68 out of 100; the rest of the number is everything around it.
169 bars, about 9:49 at the written tempo. The course breaks it into 45 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 32 times: bars 1, 5, 17, 21, 33, 37 and 26 more.