132 bars of 4/4 at 110 BPM, about 4:48 of playing, on crash, ride, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 41, 53-54 and 65-66, and 1 more place -- 5.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 81 times: bars 1, 2, 3, 4, 5, 6 and 75 more.
132 bars across 6 sections: 38 keep time, 81 are fills and 3 are silent. The longest unbroken stretch of time is bars 119-131.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
132 bars, about 4:48 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 33 minutes each.
crash, ride, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 81 times: bars 1, 2, 3, 4, 5, 6 and 75 more.