157 bars at 165 BPM -- fast, and 3:48 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 49, 93 and 133-138, and 1 more place -- 9.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 27 times: bars 28, 30, 32, 48, 50, 55 and 21 more.
11 more fills are written out on the fills page.
157 bars across 19 sections: 84 keep time, 27 are fills, 13 are stops and 13 are silent. The longest unbroken stretch of time is bars 105-113.
165 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
157 bars, about 3:48 at the written tempo. The course breaks it into 63 exercises over 20 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 27 times: bars 28, 30, 32, 48, 50, 55 and 21 more.