65 bars of 4/4 at a walking 92 BPM, 2:49 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 9 and 11, and 12 more places -- 24.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 8 times: bars 12, 24, 32, 44, 54, 56 and 2 more.
65 bars across 5 sections: 45 keep time, 8 are fills, 3 are stops and 4 are silent. The longest unbroken stretch of time is bars 45-53.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 29 out of 100; the rest of the number is everything around it.
65 bars, about 2:49 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 8 times: bars 12, 24, 32, 44, 54, 56 and 2 more.