115 bars of 4/4 at 144 BPM, about 3:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-11, 31-38 and 47-49, and 6 more places -- 30.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
15 fills to learn, played 41 times: bars 14, 22, 24, 26, 30, 46 and 35 more.
11 more fills are written out on the fills page.
139 bars across 10 sections: 69 keep time, 41 are fills, 1 is a stop and 22 are silent. The longest unbroken stretch of time is bars 1-12.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
115 bars, about 3:06 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 41 times: bars 14, 22, 24, 26, 30, 46 and 35 more.