165 bars of 4/4 at a walking 100 BPM, 6:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13, 16-17 and 41-44, and 6 more places -- 18.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 30 times: bars 24, 25, 29, 33, 35, 46 and 24 more.
16 more fills are written out on the fills page.
165 bars across 28 sections: 69 keep time, 30 are fills, 22 are stops and 27 are silent. The longest unbroken stretch of time is bars 17-21.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 41 out of 100; the rest of the number is everything around it.
165 bars, about 6:34 at the written tempo. The course breaks it into 64 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 30 times: bars 24, 25, 29, 33, 35, 46 and 24 more.