162 bars of 4/4 at 145 BPM, about 4:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26-29, 45-46 and 48, and 3 more places -- 9.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 24 times: bars 5, 6, 9, 13, 16, 17 and 18 more.
12 more fills are written out on the fills page.
162 bars across 23 sections: 61 keep time, 24 are fills, 26 are stops and 30 are silent. The longest unbroken stretch of time is bars 143-148.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 60 out of 100; the rest of the number is everything around it.
162 bars, about 4:28 at the written tempo. The course breaks it into 60 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 24 times: bars 5, 6, 9, 13, 16, 17 and 18 more.