121 bars of 4/4 at 115 BPM, about 4:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 22-24, 26-27 and 30-31 -- 6.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 74 times: bars 5, 6, 7, 8, 9, 10 and 68 more.
12 more fills are written out on the fills page.
121 bars across 15 sections: 30 keep time, 74 are fills, 2 are stops and 9 are silent. The longest unbroken stretch of time is bars 15-19.
115 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 57 out of 100; the rest of the number is everything around it.
121 bars, about 4:15 at the written tempo. The course breaks it into 49 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 74 times: bars 5, 6, 7, 8, 9, 10 and 68 more.