90 bars of 4/4 at a walking 104 BPM, 3:27 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-5, 7-9 and 11-12, and 9 more places -- 21.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 12 times: bars 28, 43, 44, 45, 54, 55 and 6 more.
2 more fills are written out on the fills page.
90 bars across 8 sections: 68 keep time, 12 are fills and 2 are silent. The longest unbroken stretch of time is bars 2-27.
104 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
90 bars, about 3:27 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 28, 43, 44, 45, 54, 55 and 6 more.