109 bars at 208 BPM -- fast, and 2:06 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 25-31 and 33-40 -- 15.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 29 times: bars 7, 8, 12, 16, 17, 18 and 23 more.
7 more fills are written out on the fills page.
109 bars across 12 sections: 51 keep time, 29 are fills, 11 are stops and 11 are silent. The longest unbroken stretch of time is bars 33-40.
208 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
109 bars, about 2:06 at the written tempo. The course breaks it into 42 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 29 times: bars 7, 8, 12, 16, 17, 18 and 23 more.