131 bars of 4/4 at a walking 102 BPM, 5:07 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-27, 45-47 and 65-67, and 13 more places -- 30.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
18 fills to learn, played 27 times: bars 7, 15, 24, 28, 36, 40 and 21 more.
14 more fills are written out on the fills page.
131 bars across 12 sections: 68 keep time, 27 are fills, 25 are stops and 3 are silent. The longest unbroken stretch of time is bars 17-23.
102 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 7 out of 100; the rest of the number is everything around it.
131 bars, about 5:07 at the written tempo. The course breaks it into 48 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 27 times: bars 7, 15, 24, 28, 36, 40 and 21 more.