93 bars of 4/4 at 118 BPM, about 3:09 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3-5, 7 and 9-10, and 7 more places -- 23.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 13 times: bars 2, 19, 23, 36, 40, 66 and 7 more.
4 more fills are written out on the fills page.
93 bars across 5 sections: 76 keep time, 13 are fills and 1 is silent. The longest unbroken stretch of time is bars 44-64.
118 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
93 bars, about 3:09 at the written tempo. The course breaks it into 26 exercises over 12 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 2, 19, 23, 36, 40, 66 and 7 more.