81 bars of 4/4 at 112 BPM, about 2:51 of playing, on crash, hi-hat, snare, high tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 21 more places -- 32.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13 fills to learn, played 25 times: bars 5, 9, 11, 12, 16, 18 and 19 more.
9 more fills are written out on the fills page.
81 bars across 9 sections: 40 keep time, 25 are fills, 2 are stops and 8 are silent. The longest unbroken stretch of time is bars 1-4.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
81 bars, about 2:51 at the written tempo. The course breaks it into 25 exercises over 6 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 25 times: bars 5, 9, 11, 12, 16, 18 and 19 more.