41 bars of 4/4 at a walking 100 BPM, 1:31 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-19, 29-31 and 33-35 -- 31.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 9 times: bars 2, 3, 4, 20, 36, 38 and 3 more.
2 more fills are written out on the fills page.
41 bars across 4 sections: 23 keep time, 9 are fills and 3 are stops. The longest unbroken stretch of time is bars 13-19.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
41 bars, about 1:31 at the written tempo. The course breaks it into 14 exercises over 5 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 9 times: bars 2, 3, 4, 20, 36, 38 and 3 more.