146 bars of 4/4 at 150 BPM, about 3:50 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 12 more places -- 12.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 54 times: bars 10, 12, 14, 15, 16, 20 and 48 more.
18 more fills are written out on the fills page.
146 bars across 16 sections: 36 keep time, 54 are fills, 22 are stops and 23 are silent. The longest unbroken stretch of time is bars 50-56.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 21 out of 100; the rest of the number is everything around it.
146 bars, about 3:50 at the written tempo. The course breaks it into 58 exercises over 17 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 54 times: bars 10, 12, 14, 15, 16, 20 and 48 more.