144 bars of 4/4 at 154 BPM, about 3:44 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14, 18 and 23, and 19 more places -- 25.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 7 times: bars 56, 76, 112, 120, 128, 136 and 1 more.
1 more fill is written out on the fills page.
144 bars across 9 sections: 90 keep time, 7 are fills, 26 are stops and 11 are silent. The longest unbroken stretch of time is bars 78-98.
154 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
144 bars, about 3:44 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 56, 76, 112, 120, 128, 136 and 1 more.