142 bars of 4/4 at a walking 95 BPM, 5:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 8-12, 14-20 and 46-52, and 2 more places -- 26% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 15 times: bars 13, 21, 30, 36, 37, 44 and 9 more.
2 more fills are written out on the fills page.
142 bars across 23 sections: 73 keep time, 15 are fills, 33 are stops and 15 are silent. The longest unbroken stretch of time is bars 55-61.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
142 bars, about 5:59 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 15 times: bars 13, 21, 30, 36, 37, 44 and 9 more.