328 bars of 4/4 at 140 BPM, about 9:21 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 55, 57 and 59-60, and 12 more places -- 8.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26 fills to learn, played 58 times: bars 16, 17, 20, 21, 22, 23 and 52 more.
22 more fills are written out on the fills page.
328 bars across 28 sections: 177 keep time, 58 are fills, 45 are stops and 18 are silent. The longest unbroken stretch of time is bars 131-144.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
328 bars, about 9:21 at the written tempo. The course breaks it into 108 exercises over 36 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 58 times: bars 16, 17, 20, 21, 22, 23 and 52 more.