110 bars of 4/4 at 118 BPM, about 3:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 22-28, 31 and 48-54, and 3 more places -- 25.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 30 times: bars 2, 3, 4, 5, 8, 9 and 24 more.
6 more fills are written out on the fills page.
110 bars across 13 sections: 61 keep time, 31 are fills, 8 are stops and 1 is silent. The longest unbroken stretch of time is bars 103-110.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
110 bars, about 3:44 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 30 times: bars 2, 3, 4, 5, 8, 9 and 24 more.