31 bars of 4/4 at 150 BPM, about 0:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 20, 22 and 26, and 1 more place -- 22.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 4 times: bars 5, 7, 15 and 25.
31 bars across 4 sections: 22 keep time, 4 are fills and 1 is a stop. The longest unbroken stretch of time is bars 9-14.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
31 bars, about 0:49 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 4 times: bars 5, 7, 15 and 25.