136 bars of 4/4 at 140 BPM, about 3:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 15-17, 19-21 and 23-25, and 2 more places -- 11.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 56 times: bars 2, 3, 4, 9, 10, 12 and 50 more.
6 more fills are written out on the fills page.
143 bars across 12 sections: 58 keep time, 56 are fills, 8 are stops and 9 are silent. The longest unbroken stretch of time is bars 16-34.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
136 bars, about 3:43 at the written tempo. The course breaks it into 42 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 56 times: bars 2, 3, 4, 9, 10, 12 and 50 more.