185 bars of 3/4 -- not four -- at 127 BPM, 5:02 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14-15, 18 and 22-23, and 9 more places -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 15 times: bars 32, 72, 116, 120, 127, 128 and 9 more.
6 more fills are written out on the fills page.
185 bars across 18 sections: 117 keep time, 15 are fills, 13 are stops and 16 are silent. The longest unbroken stretch of time is bars 73-82.
127 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
185 bars, about 5:02 at the written tempo. The course breaks it into 51 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 15 times: bars 32, 72, 116, 120, 127, 128 and 9 more.