171 bars of 4/4 at 140 BPM, about 4:53 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-20, 25-32 and 62-64, and 2 more places -- 27.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 7 times: bars 12, 43, 44, 76, 77, 144 and 1 more.
171 bars across 20 sections: 144 keep time and 7 are fills. The longest unbroken stretch of time is bars 125-143.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
171 bars, about 4:53 at the written tempo. The course breaks it into 47 exercises over 14 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 7 times: bars 12, 43, 44, 76, 77, 144 and 1 more.