247 bars of 4/4 at 152 BPM, about 6:27 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 39-53, 63-77 and 100-114, and 2 more places -- 24.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 49 times: bars 5, 7, 20, 21, 78, 79 and 43 more.
14 more fills are written out on the fills page.
247 bars across 27 sections: 147 keep time, 49 are fills, 21 are stops and 7 are silent. The longest unbroken stretch of time is bars 22-37.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
247 bars, about 6:27 at the written tempo. The course breaks it into 75 exercises over 21 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 49 times: bars 5, 7, 20, 21, 78, 79 and 43 more.