172 bars at 210 BPM -- fast, and 3:31 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 12, 16 and 20, and 11 more places -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 25 times: bars 1, 26, 30, 32, 34, 56 and 19 more.
12 more fills are written out on the fills page.
172 bars across 19 sections: 91 keep time, 25 are fills, 22 are stops and 16 are silent. The longest unbroken stretch of time is bars 37-55.
210 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
172 bars, about 3:31 at the written tempo. The course breaks it into 61 exercises over 17 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 25 times: bars 1, 26, 30, 32, 34, 56 and 19 more.