92 bars of 4/4 at 111 BPM, about 3:04 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 1-2, 4-5 and 7-8, and 10 more places -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 39 times: bars 6, 12, 18, 21, 24, 30 and 33 more.
2 more fills are written out on the fills page.
92 bars across 8 sections: 42 keep time, 39 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 75-81.
111 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
92 bars, about 3:04 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 39 times: bars 6, 12, 18, 21, 24, 30 and 33 more.