468 bars of 4/4 at a walking 100 BPM, 16:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-6, 8-14 and 16-22, and 15 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24 fills to learn, played 70 times: bars 96, 104, 112, 120, 123, 124 and 64 more.
20 more fills are written out on the fills page.
518 bars across 20 sections: 419 keep time, 70 are fills, 2 are stops and 10 are silent. The longest unbroken stretch of time is bars 1-65.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
92 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
468 bars, about 16:43 at the written tempo. The course breaks it into 85 exercises over 33 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 70 times: bars 96, 104, 112, 120, 123, 124 and 64 more.