329 bars of 4/4 at 140 BPM, about 9:24 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-15, 17-23 and 25-31, and 5 more places -- 19.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 54 times: bars 8, 41, 42, 44, 45, 46 and 48 more.
5 more fills are written out on the fills page.
329 bars across 10 sections: 148 keep time, 54 are fills, 73 are stops and 46 are silent. The longest unbroken stretch of time is bars 10-40.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
329 bars, about 9:24 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 54 times: bars 8, 41, 42, 44, 45, 46 and 48 more.