101 bars of 4/4 at a walking 108 BPM, 3:44 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-21, 23-25 and 43-45, and 2 more places -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 28 times: bars 8, 10, 14, 18, 22, 26 and 22 more.
8 more fills are written out on the fills page.
101 bars across 17 sections: 32 keep time, 28 are fills, 19 are stops and 12 are silent.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
101 bars, about 3:44 at the written tempo. The course breaks it into 43 exercises over 11 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 28 times: bars 8, 10, 14, 18, 22, 26 and 22 more.