108 bars of 4/4 at 130 BPM, about 3:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9, 11 and 14, and 7 more places -- 14.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 7 times: bars 8, 12, 39, 47, 75, 83 and 1 more.
3 more fills are written out on the fills page.
108 bars across 10 sections: 76 keep time, 7 are fills and 10 are stops. The longest unbroken stretch of time is bars 22-35.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
108 bars, about 3:18 at the written tempo. The course breaks it into 43 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 7 times: bars 8, 12, 39, 47, 75, 83 and 1 more.