124 bars of 4/4 at 137 BPM, about 3:36 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-7, 10-11 and 14-15, and 11 more places -- 22.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 35 times: bars 4, 8, 16, 18, 20, 22 and 29 more.
11 more fills are written out on the fills page.
124 bars across 9 sections: 70 keep time, 36 are fills and 8 are stops. The longest unbroken stretch of time is bars 25-31.
137 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
124 bars, about 3:36 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 35 times: bars 4, 8, 16, 18, 20, 22 and 29 more.