79 bars of 4/4 at a walking 96 BPM, 3:15 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 22-24, 26-28 and 47-53, and 2 more places -- 29.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 28 times: bars 3, 4, 6, 8, 11, 15 and 22 more.
8 more fills are written out on the fills page.
79 bars across 13 sections: 32 keep time, 28 are fills, 6 are stops and 4 are silent. The longest unbroken stretch of time is bars 47-54.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
79 bars, about 3:15 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 28 times: bars 3, 4, 6, 8, 11, 15 and 22 more.