178 bars of 4/4 at 140 BPM, about 5:05 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 50-53, 56 and 84-87, and 10 more places -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 15 times: bars 40, 49, 57, 82, 83, 91 and 9 more.
3 more fills are written out on the fills page.
178 bars across 18 sections: 112 keep time, 15 are fills, 23 are stops and 10 are silent. The longest unbroken stretch of time is bars 165-174.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
178 bars, about 5:05 at the written tempo. The course breaks it into 59 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 15 times: bars 40, 49, 57, 82, 83, 91 and 9 more.