279 bars of 4/4 at a walking 80 BPM, 13:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 16, 22 and 29, and 23 more places -- 19.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
28 fills to learn, played 66 times: bars 5, 6, 7, 8, 9, 10 and 60 more.
24 more fills are written out on the fills page.
279 bars across 24 sections: 156 keep time, 66 are fills, 19 are stops and 17 are silent. The longest unbroken stretch of time is bars 224-238.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
279 bars, about 13:53 at the written tempo. The course breaks it into 85 exercises over 27 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
28 fills to learn, played 66 times: bars 5, 6, 7, 8, 9, 10 and 60 more.