160 bars of 6/4 -- not four -- at 90 BPM, 10:39 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 38-41, 43-44 and 46-54, and 2 more places -- 22.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 27 times: bars 6, 12, 13, 14, 22, 27 and 21 more.
5 more fills are written out on the fills page.
160 bars across 10 sections: 57 keep time, 27 are fills, 4 are stops and 66 are silent. The longest unbroken stretch of time is bars 46-54.
90 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
36 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 21 out of 100; the rest of the number is everything around it.
160 bars, about 10:39 at the written tempo. The course breaks it into 34 exercises over 8 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 27 times: bars 6, 12, 13, 14, 22, 27 and 21 more.