121 bars of 4/4 at a walking 90 BPM, 5:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 31-37, 52-54 and 56-57, and 2 more places -- 12.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 27 times: bars 7, 9, 55, 58, 59, 62 and 21 more.
10 more fills are written out on the fills page.
121 bars across 17 sections: 52 keep time, 27 are fills, 20 are stops and 7 are silent. The longest unbroken stretch of time is bars 114-120.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 17 out of 100; the rest of the number is everything around it.
121 bars, about 5:13 at the written tempo. The course breaks it into 58 exercises over 18 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 27 times: bars 7, 9, 55, 58, 59, 62 and 21 more.