144 bars of 4/4 at 150 BPM, about 3:50 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 57-72 and 129-144 -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 26 times: bars 2, 4, 6, 8, 12, 16 and 20 more.
4 more fills are written out on the fills page.
144 bars across 12 sections: 104 keep time and 26 are fills. The longest unbroken stretch of time is bars 130-144.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
87 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
144 bars, about 3:50 at the written tempo. The course breaks it into 37 exercises over 17 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 26 times: bars 2, 4, 6, 8, 12, 16 and 20 more.