134 bars of 4/4 at a walking 100 BPM, 5:20 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21, 23 and 25, and 21 more places -- 31.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 30 times: bars 8, 10, 11, 12, 20, 26 and 24 more.
7 more fills are written out on the fills page.
134 bars across 15 sections: 80 keep time, 30 are fills, 7 are stops and 3 are silent. The longest unbroken stretch of time is bars 30-38.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
134 bars, about 5:20 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 30 times: bars 8, 10, 11, 12, 20, 26 and 24 more.