166 bars of 4/4 at 125 BPM, about 5:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 59-63, 77-79 and 81, and 1 more place -- 9.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 27 times: bars 1, 5, 6, 7, 8, 9 and 21 more.
15 more fills are written out on the fills page.
166 bars across 20 sections: 82 keep time, 28 are fills, 30 are stops and 8 are silent. The longest unbroken stretch of time is bars 135-142.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
166 bars, about 5:25 at the written tempo. The course breaks it into 74 exercises over 22 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 27 times: bars 1, 5, 6, 7, 8, 9 and 21 more.