114 bars of 3/4 -- not four -- at 63 BPM, 5:26 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-19, 21-23 and 25-27 -- 11.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 29 times: bars 12, 36, 40, 42, 52, 59 and 23 more.
11 more fills are written out on the fills page.
114 bars across 10 sections: 68 keep time, 29 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 14-27.
63 BPM, in 3/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
114 bars, about 5:26 at the written tempo. The course breaks it into 50 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 29 times: bars 12, 36, 40, 42, 52, 59 and 23 more.