112 bars at 174 BPM -- fast, and 2:33 of it without a break -- on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 17-23, 29-35 and 57-63, and 1 more place -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 10 times: bars 8, 12, 24, 36, 52, 64 and 4 more.
2 more fills are written out on the fills page.
112 bars across 10 sections: 71 keep time, 10 are fills and 18 are stops. The longest unbroken stretch of time is bars 28-35.
174 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
112 bars, about 2:33 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 8, 12, 24, 36, 52, 64 and 4 more.