121 bars at 180 BPM -- fast, and 2:40 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 22, 24-27 and 51, and 17 more places -- 33.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 5 times: bars 31, 35, 40, 41 and 102.
121 bars across 10 sections: 97 keep time, 5 are fills and 6 are stops. The longest unbroken stretch of time is bars 59-75.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
121 bars, about 2:40 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 31, 35, 40, 41 and 102.